I want the viewer to experience and interact with the concepts of my art not have the concept told to them. All my work starts as a note or doodle in my sketch book and comes to be on paper inspired by music and life.
Advertisement sign sequins in four colors marking one of each of the building block of DNA (adenine, cytosine, guanine, and thymine) is hung on the wall. As a viewer walks by the back draft of air creates ripples over the sequins. A radiant echo of them.
An experiment with the public and how they react to space.
The viewers wouldn't waver off the walk even though there is nothing stopping one from stepping to the side. A 5 year boy was the first to step breaking the unspoken barrior. Skipping in and out of the frames.
This piece there is a low bass that gradually rises to a muffled familiar song, Turn on The Lights by Future, a dim red light is pulsing. All the viewer experience is traces of light and residual music. The unknown is alluring and can be frightening .
Before a race and before the driver is in the car, there is a lot of chaos. Doesn't matter how experienced the driver is. You are nervous. Pulling the helmet on, the noise is taken down and your sight narrows in on your goal.
This short hallway is padded with 2 layers of sound deadening foam. On the outside a large loud gallery, inside a quieter view of the room.
The slowest hour glass made. Using some of the most recognized permanent materials, cement and steel, over time the cement will chip away and the steel will rust and crumble. Leaving a pile of sand.
Over 90% of a iceberg is below the water. This is a study of the top 10%.